Pirin (Macedonian) folklore region
Who has seen the beauty of the Pirin region, it may be felt and his music.
A characteristic feature of Pirin song voices. Often, a singer performs the first voice, but two, three or four singers perform second level voice called "iso". Because of the small tonal range of the songs sometimes first voice descends into the second. Melodic line is smooth, meet typical previkvaniya. Some tunes are performed with "atsane" (hiccup) and "shaking" (waving, shaking voice). Much chat songs are non-measured (not size).
Collect sedianka group of women look at each other and suddenly began to sing. Diphthong sounds great tune, clean, clear, beautiful, life seemed rehearsed and hewn melody to make it so perfect, original, rich colors, unique in sound.
Folk song in the Pirin region is very diverse, because here are becoming major migrations, especially from Drama, Serres, Demirhisar and others.
A characteristic feature of Pirin song voices. Often, a singer performs the first voice, but two, three or four singers perform second level voice called "iso". Because of the small tonal range of the songs sometimes first voice descends into the second. Melodic line is smooth, meet typical previkvaniya. Some tunes are performed with "atsane" (hiccup) and "shaking" (waving, shaking voice). Much chat songs are non-measured (not size).
Collect sedianka group of women look at each other and suddenly began to sing. Diphthong sounds great tune, clean, clear, beautiful, life seemed rehearsed and hewn melody to make it so perfect, original, rich colors, unique in sound.
Folk song in the Pirin region is very diverse, because here are becoming major migrations, especially from Drama, Serres, Demirhisar and others.
Here we find almost all kinds of genres typical of the Bulgarian people. The most loved songs Harvest labor , which are sung in the morning at noon on vacation, returning from the field and during harvest. Other favorite songs here are sedenkarskite them called " a sedeshki ." They are diverse in theme and melody and one of the best preserved genres. Although in many places the dance did not play the song , horo songs are sung because of their playful melodies and interesting content . They are mainly in size 2 /4, 7/16 (male and female rychenica ) and 9/16 . Wit and humor emanates from these wonderful Pirin songs in the past sounded squares and folk festivals . Especially characteristic 7/16 of the II type , male rychenica to share the first long is the typical local feature . Many famous people throughout the Pirin songs are in this size , " Macedonian girl ", " Liliano mome Liliana ", " noisy Muri from Pirin " and many others . At the same typical size 7/16 type II is the song " fire, chicken Trent " that you hear in the performance of male vocal group (also very characteristic way of singing in this region ) .
This size 7/8 (7/16) sing songs of dance , of salutation , table , wedding , etc. .
In this region there are no slow songs rich in ornaments typical of the neighboring region of Pirin Rodopi , Thrace and northern Bulgaria. Here the particular kind of sharper curves which give tight nature of the slow songs filled with sobs and shaking .
Old Pirin songs are typical of Pirin dialect - Western Bulgarian dialect , rich in archaisms with vested interests grammatical forms and typical combinations of sounds .
While the main carriers of typical local voices song in Pirin are women playing musical instruments mostly men. Widespread here are tambourine and bagpipe " Jura " ( high ) , as both are doubles . Young lads play " svorche " - Shepherd playing. Characteristic of this region and clarinets combined with drum . Tambourine favorite instrument for the establishment of folk orchestras in the area.
Here at weddings and other traditional festivities often encountered small but vocal ensembles from two clarinets and drums - the first zurna playing the melody , while the second plays evenly ( iso ) . This singing is typical of Orthodox church music.
This size 7/8 (7/16) sing songs of dance , of salutation , table , wedding , etc. .
In this region there are no slow songs rich in ornaments typical of the neighboring region of Pirin Rodopi , Thrace and northern Bulgaria. Here the particular kind of sharper curves which give tight nature of the slow songs filled with sobs and shaking .
Old Pirin songs are typical of Pirin dialect - Western Bulgarian dialect , rich in archaisms with vested interests grammatical forms and typical combinations of sounds .
While the main carriers of typical local voices song in Pirin are women playing musical instruments mostly men. Widespread here are tambourine and bagpipe " Jura " ( high ) , as both are doubles . Young lads play " svorche " - Shepherd playing. Characteristic of this region and clarinets combined with drum . Tambourine favorite instrument for the establishment of folk orchestras in the area.
Here at weddings and other traditional festivities often encountered small but vocal ensembles from two clarinets and drums - the first zurna playing the melody , while the second plays evenly ( iso ) . This singing is typical of Orthodox church music.
Dances of the Pirin region are varied and can be divided into male and female . Female dances are played most often in the song and it moderately. These people are going in a circle, semi-circle and a straight line individually. Male dance develop in a faster pace due to instrumental accompaniment. Their movements are high, with jumps , ran and springy . Slow dancing with typical light steps , sharp sections accompanied by pauses that number a few times , turns, kneeling and bending of the body. These movements are saturated with many feeling masculinity and grace . Typically there is a " Macedonian dance " in size 8/8 .
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